Yennai Arindhaal

Gone it seems are the days of the director in Indian cinema, and nothing can be truer than this in the Tamil industry, where a Rajinikanth or a Kamal Hassan or a Surya or an Ajith hold audiences in a mesmeric trance. Ajith’s latest outing in Gautham Vasudev Menon’s last of the cop trilogy, Yennai Arindhaal (after Kaakha Kaakha and Vettaiyaadu Vilaiyaadu), is an unmistakable case in point. ...